Big Ears: Listening for Gender in Jazz Studies

Nichole T. Rustin Sherrie Tucker Ronald Radano Josh Kun


Big Ears: Listening for Gender in Jazz Studies

Big Ears: Listening for Gender in Jazz Studies

  • Title: Big Ears: Listening for Gender in Jazz Studies
  • Author: Nichole T. Rustin Sherrie Tucker Ronald Radano Josh Kun
  • ISBN: 9780822343363
  • Page: 179
  • Format: Hardcover

Big Ears Listening for Gender in Jazz Studies Refiguring Big Ears Listening for Gender in Jazz Studies Refiguring American Music Paperback November , by Nichole T Rustin Editor , Sherrie Tucker Editor . out of stars customer review See all formats and editions Hide other formats and editions Price big ear listening device of over , results for big ear listening device Showing selected results electronic listening device lets you HEAR The ears and eyes are CampCo UZI UZI OD Observation Listening Device with Foot Range and Noise Reduction, Black by CampCo . Big Ears Listening Challenge My Fun Piano Studio Big Ears Listening Challenge is a beginner melodic dictation exercise that I use with students who are just getting started in their musical training Big Ears Listening Challenge Materials Needed White cardstock, page protectors, dry erase markers big ear listening device eBay Save big ear listening device to get e mail alerts and updates on your eBay Feed Items in search results Big Sale Ear listen Through Wall Device SPY Bug Eavesdropping Microphone Voices Brand New . From China Buy It Now . shipping Results matching fewer words. Big Ears Duke University Press Big Ears is a breath of fresh air in contemporary jazz studies Whereas the field has exploded during the last several years, this is the first volume specifically devoted to new work on gender and jazz. Headphones for Big Ears AudioGearz The earpads are a soft over the ear design, perfect for big ears, which ensures fatigue free listening even after long hours of wear The AKG KSTUDIO headphones deliver great sound for their price and are semi open back, creating for a wider and detailed Big Ears Listening for Gender in Jazz Studies Big Ears Listening for Gender in Jazz Studies By Sherrie Tucker His wife Lil often played piano Ken Burns s Jazz, on Lil Hardin Armstrong are they his third or fourth wives, or two new members of the Big, Bent Ears CAM Raleigh Big, Bent Ears Kate Joyce, Listening I, , Black and white wall mural, courtesy of the Artist Big, Bent Ears a multimedia installation about listening May , February , IN ROCK FISH STEW began developing two separate documentary projects one on the Big Ears Music Festival in Knoxville, Tennessee, and the other on legendary New Yorker magazine writer Joseph



In jazz circles, players and listeners with big ears hear and engage complexity in the moment, as it unfolds Taking gender as part of the intricate, unpredictable action in jazz culture, this interdisciplinary collection explores the terrain opened up by listening, with big ears, for gender in jazz Essays range from a reflection on the female boogie woogie pianists whoIn jazz circles, players and listeners with big ears hear and engage complexity in the moment, as it unfolds Taking gender as part of the intricate, unpredictable action in jazz culture, this interdisciplinary collection explores the terrain opened up by listening, with big ears, for gender in jazz Essays range from a reflection on the female boogie woogie pianists who played at Caf Society in New York during the 1930s and 1940s to interpretations of how the jazzman is represented in Dorothy Baker s novel Young Man with a Horn 1938 and Michael Curtiz s film adaptation 1950 Taken together, the essays enrich the field of jazz studies by showing how gender dynamics have shaped the production, reception, and criticism of jazz culture.Scholars of music, ethnomusicology, American studies, literature, anthropology, and cultural studies approach the question of gender in jazz from multiple perspectives One contributor scrutinizes the tendency of jazz historiography to treat singing as subordinate to the predominantly male domain of instrumental music, while another reflects on her doubly inappropriate position as a female trumpet player and a white jazz musician and scholar Other essays explore the composer George Russell s Lydian Chromatic Concept as a critique of mid twentieth century discourses of embodiment, madness, and black masculinity performances of female hysteria by Les Diaboliques, a feminist improvising trio and the BBC radio broadcasts of Ivy Benson and Her Ladies Dance Orchestra during the Second World War By incorporating gender analysis into jazz studies, Big Ears transforms ideas of who counts as a subject of study and even of what counts as jazz.Contributors Christina Baade, Jayna Brown, Farah Jasmine Griffin, Monica Hairston, Kristin McGee, Tracy McMullen, Ingrid Monson, Lara Pellegrinelli, Eric Porter, Nichole T Rustin, Ursel Schlicht, Julie Dawn Smith, Jeffrey Taylor, Sherrie Tucker, Jo o H Costa Vargas


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    179 Nichole T. Rustin Sherrie Tucker Ronald Radano Josh Kun
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    Published :2018-07-08T13:05:08+00:00